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Investing in African cultural and creative industries and talent goes beyond mere visibility.

Auteur: Senewebnews

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Investir dans les industries culturelles et créatives et les talents africains, au-delà de la simple visibilité

African cultural and creative industries are experiencing unprecedented international visibility. Fashion, film, music, digital arts, and contemporary crafts are shaping aesthetics and narratives that resonate far beyond the continent. Yet, behind this growing exposure lies a structural fragility that continues to limit the sector's long-term impact: talent is celebrated, but rarely supported in a way that allows it to structure itself, develop, and endure.

Over the past decade, African creativity has benefited from accelerated exposure thanks to digital platforms, international festivals, global fashion circuits, and streaming services. But visibility does not guarantee sustainability. Without structured pathways (training, mentorship, market access, institutional recognition, and long-term investment), many creators remain trapped in cycles of fleeting success, unable to translate attention into lasting careers or businesses.

This gap between recognition and structuring has become one of the major challenges facing the African cultural economy. Talent is abundant, but ecosystems remain fragmented. Too often, creative success relies on individual resilience rather than collective infrastructure. This results in value creation that bypasses local communities and promising trajectories that are prematurely cut short.

The problem is neither a lack of creativity nor a lack of public interest. It lies in the absence of a deliberate investment in talent as a strategic asset. Cultural industries are still too often perceived as symbolic or peripheral, when in fact they require the same level of planning, governance, and capital as sectors like technology, industry, or sports. Globally, however, cultural and creative industries are recognized as drivers of employment, youth inclusion, and soft power.

Truly investing in talent therefore requires a change of approach. One-off actions, isolated showcases, or short-term campaigns may generate media coverage, but they are not enough to build career paths. Creative ecosystems need long-term frameworks capable of connecting creators with skills, opportunities, networks, and credibility. It's about supporting not just moments of visibility, but complete development trajectories.

It is within this framework that certain initiatives are beginning to emerge. One of them is We Champion Talent, a pan-African initiative jointly led by Orun and 1xBet. Conceived not as a public relations exercise, but as a structuring mechanism, it aims to address the systemic shortcomings of the creative ecosystem by combining talent support, access to opportunities, cultural diplomacy, and a structured editorial framework. Its relevance lies less in its name than in its underlying logic: viewing talent as a long-term investment, requiring consistency, continuity, and measurable results.

This approach is shared by industry players who now see cultural investment as a strategic choice rather than simply a reputational lever. “African creativity is not lacking in ambition or excellence,” emphasizes Khalidou Guissé, Managing Director of 1xBet in Senegal. “What is often missing are the structures that allow talent to grow over time. Investing in creative ecosystems is a matter of responsibility, but also requires a clear vision of future sources of value.”

This issue is all the more crucial given that cultural industries are closely linked to economic and social dynamics. International estimates show that they employ millions of people worldwide and particularly benefit young people. In Africa, where demographic pressure and youth unemployment pose major challenges, these industries offer credible opportunities for entrepreneurship, skills development, and income generation, provided they are properly structured.

Ultimately, the future of African cultural and creative industries will not depend solely on the attention they receive. It will hinge on the quality of the structures built around talent. Investing in creators is not an act of patronage; it is an economic, social, and strategic choice. As global interest in African creativity intensifies, the true indicator of progress will be the ability to transform this attention into lasting value for creators and the ecosystems that support them.

Auteur: Senewebnews
Publié le: Lundi 09 Février 2026

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